
The Audio-Technica AT4050ST Stereo Condenser Studio Microphone provides a realistic live sound field for professional recording, broadcast, and sound reinforcement applications. This side-address condenser utilizes a Mid-Side arrangement to deliver exceptional stereo imaging and versatile signal output options.
The AT4050ST features independent cardioid and figure-of-eight condenser elements configured in a Mid-Side arrangement. This innovative design allows sound recordists to choose between a standard left-right stereo output or discrete Mid-Side signals for later manipulation. A switch selection provides access to Mid-Side mode and two internally matrixed stereo modes, offering remarkable flexibility for various recording environments.
Dual-diaphragm capsules maintain precise polar pattern definition across the full frequency range of the microphone. The 2-micron-thick, vapor-deposited gold diaphragms undergo a specialized five-step aging process to ensure optimum characteristics remain constant over years of use. To further enhance audio purity, the transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients.
The microphone includes integrated controls to manage audio input and environmental factors. An 80 Hz high-pass filter switch and a 10 dB pad switch allow for precise adjustments during recording. The symmetrical housing assembly features an open acoustical environment that minimizes unwanted internal reflections. For mechanical protection, a custom shock mount provides superior isolation from vibration and handling noise.
State-of-the-art design and manufacturing techniques ensure the AT4050ST complies with stringent consistency and reliability standards. This microphone is certified by the METAlliance (Music Engineering and Technology Alliance), confirming its status as a high-performance tool for professional audio engineers.
| Element | Externally-polarized (DC bias) condenser |
| Polar Pattern | Cardioid and Figure-of-eight |
| Frequency Response | 20-18,000 Hz |
| Low Frequency Roll Off | 80 Hz, 12 dB/octave |
| Open Circuit Sensitivity | Stereo 90°: -42 dB (7.9 mV) dB re 1V at 1 Pa Stereo 127°: -41 dB (8.9 mV) dB re 1V at 1 Pa Mid: -36 dB (15.8 mV) dB re 1V at 1 Pa Side: -36 dB (15.8 mV) dB re 1V at 1 Pa |
| Maximum Input Sound Level | Mid and Side: 149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL, with 10 dB pad (nominal) |
| Noise | Stereo 90°: 25 dB SPL Stereo 127°: 16 dB SPL Mid: 15 dB SPL Side: 17 dB SPL |
| Dynamic Range | Mid: 134 dB, 1 kHz at Max SPL Side: 132 dB, 1 kHz at Max SPL |
| Signal-to-Noise Ratio | Stereo 90°: 69 dB, 1 kHz at 1 Pa Stereo 127°: 78 dB, 1 kHz at 1 Pa Mid: 79 dB, 1 kHz at 1 Pa Side: 77 dB, 1 kHz at 1 Pa |
| Phantom Power Requirements | 48V DC, 6.4 mA typical (both channels total) |
| Switches | 90°, 127°, M-S; Flat, roll-off; 10 dB pad (nominal) |
| Weight | 517 g (18.2 oz) |
| Cable | 5.0 m (16.5') long, 8-conductor, shielded, vinyl-jacketed stereo cable with 5-pin XLRF-type connector at microphone end and two 3-pin XLRM-type connectors at output end |
| Dimensions | 193.0 mm (7.60") long, 53.4 mm (2.10") maximum body diameter |
| Output Connector | Integral 5-pin XLRM-type |
| Accessories Included | AT8449a shock mount for 5/8"-27 threaded stands; microphone dust cover; protective carrying case |
| Audio-Technica Case Style | R1 |
| Length | 9.72 inches |
|---|---|
| Width | 11.34 inches |
| Height | 4.25 inches |
| Weight | 4.21 lbs |
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